Antique Mirrors

An antique mirror does double duty: it reflects light and space while serving as a striking decorative feature in its own right. Our dealers offer overmantel mirrors, pier glasses, dressing table mirrors, convex mirrors, cheval mirrors and wall mirrors in gilded, mahogany, walnut and ebonised frames.

Georgian, Regency, Victorian and Edwardian examples are all available, along with French and Continental pieces. Original mercury glass plate, with its characteristic soft, slightly mottled reflection, is prized by collectors.

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Victorian Pier Mirror Leaner Mirror H160cm

K0606 A good 19th century gilded pier mirror or wall mirror, having original glass with some foxing...

An Enormous 19Th Century French Gilt Frame Mirror

An enormous 19th Century French oval mirror. With a bold molded and gilt frame, this mirror retains...

Arts And Crafts Hammered Metal Wall Mirror

K0552 Stylish Arts and Crafts mirror with original bevelled edge glass in metal hammered frame with...

Monumental Victorian Overmantle Mirror / Floor Standing Mirror H200cm

P0277 A monumental 19th century solid oak mirror, having foliage carved cavetto cornice with decorat...

Antique Georgian 1790 Mahogany & Gilt Dressing Table Mirror with Brass Handles

Here we have a Georgian mahogany dressing table mirror standing on ogee bracket feet with three draw...

Antique Victorian Ornate & Floral Carved Small Giltwood Rectangular Wall Mirror

Here we have an Antique Early Victorian Ornate & Floral Carved Small Giltwood Rectangular Wall Mirro...

A Large Antique 19th Century Gilded Overmantel Mirror H155cm

K0598 A large XIXth century giltwood wall mirror, having arched glass with minor imperfections in fi...

Gesso and Giltwood Pier Mirror w49cm

K0607 Antique Georgian 18th century slim gilded wall mirror or a console table mirror, having bevell...

Leaner Mirror Floor Standing Mirror Pier Mirror H207cm

P0220 Superb XIXth century French giltwood mirror of versatile form, can be position horizontally or...

A Rare 17th Century Olive Wood Oyster Mirror

A beautiful 17th Century Olive Wood Oyster veneered Mirror in very good original condition, Its nice...

Fine & Rare 18th Century Giltwood Overmantel Mirror

An exceptional full period 18th Century Chippendale Rococo Mirror. Beautifully carved with flowing C...

18th Century Mahogany Toilet Mirror

A very nice 18th Century Mahogany Toilet Mirror of superb colour and condition, made using well chos...

Fine Quality Antique Walnut Cheval Mirror

A stylish early 20th-century walnut cheval mirror. The mirror features an elegantly shaped rectangul...

Super Burr Walnut Cheval Mirror

A very nice Queen Anne style burr walnut cheval mirror, in very nice home ready condition, having be...

Super Victorian Gilt Oval Mirror

A very good Victorian oval gilt gesso wall mirror with fruit and vine decoration, original bevelled...

Venetian Giltwood Wall Mirror

A good venetian wall mirror, carved giltwood, in very good overall condition. 40" high30.5" wide F...

Good Edwardian Round Gilt Mirror

A very good Edwardian round mirror, bevelled plate, frame with ribbed and bow detailing, in good ord...

Fine Regency Gilt Overmantle Mirror

A very nice tryptich Regency gilt overmantle mirror, bevelled plates, in overall very good condition...

A Fine George III Mahogany Cheval Mirror

A fine George III mahogany cheval mirror. Raised on swept legs with original brass castors and with...

A Large Scale Regency Period Cheval Dressing Mirror

A Large Scale Regency Period Cheval Dressing Mirror. The rectangular frame made from the finest maho...

The Role of Mirrors in Interior Design

Mirrors have been used to enhance interiors since the 17th century. Placed opposite a window, a large mirror doubles the natural light in a room. Above a fireplace, an overmantel mirror creates a focal point and adds height. In a hallway, a pier glass between windows gives the illusion of greater space and provides a last-minute check before leaving the house.

When buying an antique mirror, consider both the frame and the glass. Frames range from the restrained elegance of Georgian gilt and gesso to the exuberant carving of Victorian rococo revival. The condition of gilding varies; worn gilt with the red bole showing through is part of the character and many collectors prefer it to re-gilding.

Original Glass vs. Replacement

Original mercury glass plate has a distinctive quality. The reflection is softer and warmer than modern glass, with a gentle foxing (dark spots) that develops over time. Many buyers actively seek mirrors with original glass for this reason. However, if you need a clear, functional reflection, replacement glass is perfectly acceptable and should be priced accordingly.

Hanging and Positioning

Antique mirrors can be heavy. Use appropriate fixings for your wall type: heavy-duty hooks or French cleats for plasterboard, masonry bolts for brick. Hang mirrors at eye level for practical use or higher for decorative effect. Pairs of mirrors work particularly well in symmetrical rooms, flanking a central feature such as a doorway or fireplace.

Frequently Asked Questions

Foxing refers to the dark spots and cloudy patches that develop on old mirror glass as the reflective mercury and tin backing deteriorates over time. Many collectors prize this effect as evidence of genuine age and for the atmospheric quality it gives the reflection.

This is a matter of personal preference. Original glass with gentle foxing has character and adds value. If the foxing is so heavy that the mirror is no longer functional, replacement glass is a practical option. Keep the original glass safely stored in case you want to reinstate it later.

A pier glass is a tall, narrow mirror designed to hang on the wall between two windows, known as the pier. They became fashionable in the 18th century and were often paired with a matching console table below. The narrow proportions make them ideal for hallways and landings.

True gold leaf gilding has a warm, rich glow and shows the red or yellow bole (clay ground) where it has worn thin. Modern gold paint is flatter and more uniform. Water gilding, where the gold leaf is applied over wet bole, can be burnished to a high shine; oil gilding cannot.