Antique Mirrors

An antique mirror does double duty: it reflects light and space while serving as a striking decorative feature in its own right. Our dealers offer overmantel mirrors, pier glasses, dressing table mirrors, convex mirrors, cheval mirrors and wall mirrors in gilded, mahogany, walnut and ebonised frames.

Georgian, Regency, Victorian and Edwardian examples are all available, along with French and Continental pieces. Original mercury glass plate, with its characteristic soft, slightly mottled reflection, is prized by collectors.

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Victorian Oval Brass Mirror

Excellent quality Victorian oval  ribbed brass wall mirror with bow detailing to the top, bevelled p...

Pair of French Rococo Style Giltwood Wall Mirrors

A decorative pair of French early 20th century giltwood and gesso antique wall mirrors in the Rococo...

Pair of French 19th Century Bronze Girandoles

A superb pair of French 19th century, cast bronze girandole wall sconces with bevelled mirror plates...

Edit: French Antique Wall Mirror with Original Glass Restored in Good condition H107cm

K0461 19th century wall mirror of versatile form could be positioned portrait or landscape, having o...

Fine Mahogany Oval Cheval Mirror

A very good quality Edwardian mahogany cheval mirror with oval bevelled plate glass, in excellent ov...

Victorian Gilt Overmantle of Small Proportions

A very good Victorian gilt overmantle mirror of small proportions, with original backboards and plat...

Queen Anne Burr Walnut Wall Mirror

Excellent quality Queen Anne style burr walnut shaped cushion mirror, bevelled mirror plate, in exce...

Edwardian Walnut Toilet Dressing Table Mirror

A lovely quality walnut dressing table mirror in the George lll style. Great colour and condition. W...

Pair Of Empire Style Mirrors

A very stylish pair of Empire style mirrors painted and with gilt decoration.   With wonderful ori...

Antique Victorian Silver Overmantel Mirror H123cm

P0328 Well proportioned antique Victorian silver overmantel mirror or wall mirror, having original g...

Unusual Antique Victorian Quality Mahogany and Brass Adjustable Mirror on Stand

Unusual Antique Victorian quality mahogany and brass adjustable mirror on stand having a circular be...

Edwardian Adam Style Giltwood Wall Mirror

An elegant Adam style Edwardian giltwood wall mirror of oval shape with bevelled mirror plate, borde...

Late 18th Century Florentine Giltwood Oval Mirror

This is a very beautiful late 18th Century Florentine Giltwood Oval Mirror, boldly carved with shell...

Antique Gilt Wood Rococo Mirror

This is a most imposing late 19th century giltwood wall mirror in nice original condition dating fro...

Regency Convex Giltwood Mirror Deer Crest

A good Regency period hand carved giltwood convex mirror with rare deer crest dating from around 180...

Very Decorative Italian Hand Painted Mirror Pier Glass

This is a most attractive late 19th century Italian hand painted pier glass mirror with a lovely des...

Fine Edwardian Round Gilt Mirror

A supberb quality Edwardian round gilt mirror, original bevelled mirror plate, bow and rib detailing...

Large Antique Victorian Quality Giltwood and White Painted Overmantle Mirror

Large antique Victorian quality giltwood and white painted overmantle mirror having a quality gilded...

Large Antique Continental Porcelain Easel Mirror

Large antique continental porcelain easel mirror with an oval mirror plate and foliate decorated edg...

Oak Leaner Mirror Pier Table Mirror H174cm

P0189 Large antique French country oak leaner mirror / wall mirror, having original glass with some...

The Role of Mirrors in Interior Design

Mirrors have been used to enhance interiors since the 17th century. Placed opposite a window, a large mirror doubles the natural light in a room. Above a fireplace, an overmantel mirror creates a focal point and adds height. In a hallway, a pier glass between windows gives the illusion of greater space and provides a last-minute check before leaving the house.

When buying an antique mirror, consider both the frame and the glass. Frames range from the restrained elegance of Georgian gilt and gesso to the exuberant carving of Victorian rococo revival. The condition of gilding varies; worn gilt with the red bole showing through is part of the character and many collectors prefer it to re-gilding.

Original Glass vs. Replacement

Original mercury glass plate has a distinctive quality. The reflection is softer and warmer than modern glass, with a gentle foxing (dark spots) that develops over time. Many buyers actively seek mirrors with original glass for this reason. However, if you need a clear, functional reflection, replacement glass is perfectly acceptable and should be priced accordingly.

Hanging and Positioning

Antique mirrors can be heavy. Use appropriate fixings for your wall type: heavy-duty hooks or French cleats for plasterboard, masonry bolts for brick. Hang mirrors at eye level for practical use or higher for decorative effect. Pairs of mirrors work particularly well in symmetrical rooms, flanking a central feature such as a doorway or fireplace.

Frequently Asked Questions

Foxing refers to the dark spots and cloudy patches that develop on old mirror glass as the reflective mercury and tin backing deteriorates over time. Many collectors prize this effect as evidence of genuine age and for the atmospheric quality it gives the reflection.

This is a matter of personal preference. Original glass with gentle foxing has character and adds value. If the foxing is so heavy that the mirror is no longer functional, replacement glass is a practical option. Keep the original glass safely stored in case you want to reinstate it later.

A pier glass is a tall, narrow mirror designed to hang on the wall between two windows, known as the pier. They became fashionable in the 18th century and were often paired with a matching console table below. The narrow proportions make them ideal for hallways and landings.

True gold leaf gilding has a warm, rich glow and shows the red or yellow bole (clay ground) where it has worn thin. Modern gold paint is flatter and more uniform. Water gilding, where the gold leaf is applied over wet bole, can be burnished to a high shine; oil gilding cannot.