Antique Mirrors

An antique mirror does double duty: it reflects light and space while serving as a striking decorative feature in its own right. Our dealers offer overmantel mirrors, pier glasses, dressing table mirrors, convex mirrors, cheval mirrors and wall mirrors in gilded, mahogany, walnut and ebonised frames.

Georgian, Regency, Victorian and Edwardian examples are all available, along with French and Continental pieces. Original mercury glass plate, with its characteristic soft, slightly mottled reflection, is prized by collectors.

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A Fine George III Mahogany Cheval Mirror

A fine George III mahogany cheval mirror. Raised on swept legs with original brass castors and with...

A Large Scale Regency Period Cheval Dressing Mirror

A Large Scale Regency Period Cheval Dressing Mirror. The rectangular frame made from the finest maho...

18th Century Walnut Toilet Mirror

A really charming little early George II 18th Century Walnut Toilet mirror of truly outstanding colo...

Large Regency Tryptich Gilt Overmantle Mirror

A super Regency style Edwardian gilt overmantle mirror, three bevelled mirrors with surrounding gilt...

An 18Th Century Carved Italian Mirror

An 18th century profusely carved Italian mirror. With lyre, garlands of flowers, swags and a lions m...

Large Early 19th Century Florentine Giltwood Mirror

A striking early 19th Century Florentine Giltwood Mirror, beautifully carved with scrolls and vine l...

A Very Large 19thc French Gilt Frame Mirror

A very large and impressive 19th Century French gilt frame mirror. In untouched and original conditi...

Antique Edwardian Inlaid Rosewood Overmantel Mirror

Antique Edwardian inlaid rosewood overmantel mirror having an attractive inlaid rosewood swan neck p...

Fine Quality Antique Victorian Mahogany Dressing Mirror

Fine quality antique Victorian mahogany swing dressing mirror with an exquisite pierced carved mahog...

Antique Quality Victorian Satin Birch Carved Swing Mirror

Victorian satin birch carved swing mirror having a charming oval swing mirror with a magnificent sha...

Antique Victorian 19th Century Carved Oak Free Standing Mirror

Antique Victorian 19th century carved oak free standing mirror having a fabulous quality shaped carv...

A Fine Adam Period Wall Mirror

A fine 18th century paint decorated wall mirror. With an urn atop and garlands of hare-bell running...

Late 18th C Gilt Frame Wall Mirror

Late 18th Century Gilt frame Rococo wall mirror. In carved wood and Gesso and retaining most of its...

Fine 18th Century Walnut & Parcel Gilt Mirror

An outstanding and important 18th Century George II Parcel Gilt Mirror in the manner of William Kent...

Large Antique Victorian Quality Mahogany Cheval Mirror

Large antique Victorian quality mahogany cheval mirror having the original adjustable mirror in a qu...

Large Scale Georgian Inlaid Toilet Mirror

A superior George III period toilet, or dressing, mirror of generous proportions. Well constructed i...

Attractive Antique Edwardian Quality Carved Mahogany Cheval Mirror

A refined Edwardian cheval mirror crafted in richly toned mahogany displaying elegant proportions an...

Antique Victorian Quality Mahogany Cheval Mirror

Antique Victorian quality mahogany cheval mirror having the original mirror in an arched top, mahoga...

Fine Regency Overmantle Mirror

Very good Regency gilt overmantle mirror, in very good order throughout. 36.5" high47" wide5.5" dep...

Late 19th Century Giltwood Mirror

A Beautiful late 19th Century Giltwood Mirror, well carved in the Chippendale rococo style with scro...

The Role of Mirrors in Interior Design

Mirrors have been used to enhance interiors since the 17th century. Placed opposite a window, a large mirror doubles the natural light in a room. Above a fireplace, an overmantel mirror creates a focal point and adds height. In a hallway, a pier glass between windows gives the illusion of greater space and provides a last-minute check before leaving the house.

When buying an antique mirror, consider both the frame and the glass. Frames range from the restrained elegance of Georgian gilt and gesso to the exuberant carving of Victorian rococo revival. The condition of gilding varies; worn gilt with the red bole showing through is part of the character and many collectors prefer it to re-gilding.

Original Glass vs. Replacement

Original mercury glass plate has a distinctive quality. The reflection is softer and warmer than modern glass, with a gentle foxing (dark spots) that develops over time. Many buyers actively seek mirrors with original glass for this reason. However, if you need a clear, functional reflection, replacement glass is perfectly acceptable and should be priced accordingly.

Hanging and Positioning

Antique mirrors can be heavy. Use appropriate fixings for your wall type: heavy-duty hooks or French cleats for plasterboard, masonry bolts for brick. Hang mirrors at eye level for practical use or higher for decorative effect. Pairs of mirrors work particularly well in symmetrical rooms, flanking a central feature such as a doorway or fireplace.

Frequently Asked Questions

Foxing refers to the dark spots and cloudy patches that develop on old mirror glass as the reflective mercury and tin backing deteriorates over time. Many collectors prize this effect as evidence of genuine age and for the atmospheric quality it gives the reflection.

This is a matter of personal preference. Original glass with gentle foxing has character and adds value. If the foxing is so heavy that the mirror is no longer functional, replacement glass is a practical option. Keep the original glass safely stored in case you want to reinstate it later.

A pier glass is a tall, narrow mirror designed to hang on the wall between two windows, known as the pier. They became fashionable in the 18th century and were often paired with a matching console table below. The narrow proportions make them ideal for hallways and landings.

True gold leaf gilding has a warm, rich glow and shows the red or yellow bole (clay ground) where it has worn thin. Modern gold paint is flatter and more uniform. Water gilding, where the gold leaf is applied over wet bole, can be burnished to a high shine; oil gilding cannot.